Friday, May 13, 2011

J. Peterson is the bomb.com


Remember how my friends are awesome? Well... along that awesome line:

I know I've gushed about my dear dear dear beautiful friend Jessica's talents before, but here's a chance to celebrate some more.


In case you are unaware of the height of this awesomeness, PDN is a leading photo magazine, THE leading photomagazine. You should immediately hire Jess to make fine photographic art. You really really should. Then you can say that you have an original J.Peterson hanging above your mantle. All your artsy friends will be very very jealous.
Anyone else want some yellow cake?

Wednesday, May 11, 2011

Happy Birthday Martha


Today I opened my trusty Firefox browser to the Google homepage, at the behest of my dear friend Jackie Surpriseme... and was stunned. Quite literally, my breath was taken away.

Today is 117th birthday of the late Martha Graham, one of the giants and pioneers of modern dance, and one of my personal heroines... no... not "my personal brand of heroin"... the other type. Lady hero. Google rocked my dance-nerd world and celebrated this day with an animated Google Doodle of a dancer performing signature movements from the most notable of Graham's choreographic pieces to spell out the letters in GOOGLE.
Graham was born in 1894 and is known for creating a completely new style of dance in the 1920s and 1930s. She started her own dance company in 1926 and created 181 dances throughout her life, until she passed away in 1991. Some of her most well-known works are charted in today's Google Doodle.

I want to explain each of the dance movements, but writer Chloe Albanesius already did this so beautifully:
The first image is the shrouded figure from "Lamentation," Graham's well-known solo from 1930. According to the Martha Graham Center of Contemporary Dance , the solo was Graham's desire to "chart a graph of the heart" with her dances.
"The innovative costume, a tube of stretchy wool, accentuates the torque and pull of the movement, becoming the sculptural evocation of grief itself," the center said.

The second image is from 1932's "Satyric Festival Song," in which Graham mocked the new-found fame she had gained from works like "Lamentation." It also takes its inspiration from the clown figures used in Native American ritual, showcasing her love of all things American southwest.

The dancer then spins to her knees and reaches forward to re-enacts the bride role from "Appalachian Spring," a ballet she created in 1944. Graham collaborated with composer Aaron Copland and sculptor Isamu Noguchi for a work they all considered to be their contributions to the war effort, the center said.

The bride then jumps, her legs rising above the two "Os" in the Google logo for Graham's famous "contraction" move. This particular doodle image is from 1947's "Night Journey," which tells the story of Oedipus through flashbacks from his mother and wife, Jocasta.

Finally, the doodle ends "with a sweep of the skirt and the determined finish—feet planted firmly, head erect and focused." The young woman is from 1935's "Frontier" solo, which "reminds us of Graham's reverence for individualism and self-empowerment and of her unquenchable 'appetite for the new,'" according to the center." -Chloe Albanesius




This animation awestruck me on different levels. As you know, I've got this boy who does the animation thing at Brigham Young University (meaning the LORD'S SCHOOL, folks. This is big time.... ugh)... and he takes class from the genius animator/artist Ryan Woodward who created this doodle, taking inspiration from Blakeley White-McGuire, a principal dancer with the current Martha Graham Dance Company. Talk about worlds combining...

Happy Birthday Martha Graham, dancer, choreographer, and acrobat to the gods.

Tuesday, May 10, 2011

Paradoxes



"A paradox a paradox a most ingenious paradox... ha ha ha ha ha ha ha ha: a paradox."-Ruth and the Pirate King (my high school memories of Pirates of Penzance. I was the most curly-haired daughter. This sounds more cryptic than it is. You just had to be there.)
I have this friend who has this theory (one, I might add, that we seem to talk about ad nauseam, but in a good healthy I-feel-like-Oprah way). This theory talks about the pay-per-view fight of the century: emotion vs. logic. My friend has informed me that his mother is logos and his father ethos, meaning that his mother is a most a logical creature and that his father is ruled by his emotions, both to a fault. These traits reside on complete opposite sides of a spectrum... and we talk about this opposition a great deal because he is convinced that that those strong character elements are at war inside his own psyche. These traits pull him apart at all times, making him flame and flare, then turn right around to a calmer smoother water-like sense. He believes that his mind and his heart are at war, driving him to distraction consistently: water vs. fire, cold vs. hot, opposites at every angle. I believe him. The boy is nuts (but at least he's interesting). The two opposing sides of this young man’s nature seem to be larger than life, even more so than anyone else I have met. Because he feels so torn apart by his own nature, most our conversations go along the vein of control and cooperation, learning how we can use our opposing sides to temper the another, and vice versa. In other words, how we can sculpt our yin with our yang.
My own personal yin and yang, my sense of ambition against my sense of fear of failure, often control my life and my mind. Just think of having a serrated line down one’s brain and I’m pulling at the edges, trying to make sense of it all separately. This opposition makes me feel as crazy as it sounds (like I said, at least it makes one interesting), and just as painful to put back together. The only way I have been able to assuage my paradox has been to use my fear to keep myself in check and on task, and my ambition to overcome the fear when I want to stop or give up. It hasn’t been easy, but let’s get cliché and talk about how it has been worth it.
I have turned the opposing sides of my nature and made them examine one another. These contrasting faces look directly into the other’s eyes and see down deep to its soul. It’s a scary sight, one that is liable to make one venerable and embarrassed. No one likes to be called out on faults or labeled as this or that, but when you face yourself, face your fears and your faults head on, you find yourself more clearly directed on the path you need to take to succeed. This mentality has helped in my progress in my personal and academic life. The more I can make my opposing sides, my fire and my water, whatever they represent, face each other, the more I can make them work together. I can step forward into this evolution of understanding and an embraced whole.

Monday, April 4, 2011

Thoraco-omphalopagus


Dear Dancing Bodies/Cultural Theory type classes,
Thank you for giving me another reason to make a ridiculous film about conjoined twins. I know no other schooling-type situation that would allow for this level of frivolity. I love homework. I really really do.
Thoraco-omphalopagusly Yours,
Claire

Sunday, April 3, 2011

on late nights and knee socks

Before I got into grad school I used to stay up till the wee sma' hours of the morning. Every night, all night. I only remember this unfortunate habit because I just stumbled upon documentation that I am completely ridiculous at 6 AM.

"I stayed up till two in the morning, not thinking of you, not thinking of you... and I stayed up till three in the morning, ignoring the truth, ignoring the truth..." - Emily Brown


Playing dress-up and bathroom vanity photos... oversized glasses and leather jackets.




A blanket fort for watch movies with Cooper the poodlelamb.


Dearest of J. Camerons


J.C.N.

Despite the fact that I never actually see you in this state, I'm really glad you've decided to stay.
Seriously, Claire

Let's invest in pointed hats...

l
We are Elphaba-esq witches.

But nice ones who talk to squirrels and lay out cream for the basement trolls.